CD Baby thought it would be helpful to simplify this and just bundle all of this together – averaging out a lot of the various rates. Everything from playlist pitching, marketing, PR, YouTube MCN, and so forth. They claim to be great at “throwing gasoline on the fire.” AWAL doesn’t offer much in terms of personal support from the get-go, BUT if you start to catch, they can offer you marketing support (money for PR, radio plugging, etc) and pitch you to playlists. A huge benefit of ONErpm is that they are one of the few companies on the list where there are no fees whatsoever. Although having the option to do so is always a plus. Of course nothing is guaranteed, but I made a list of 20 official Spotify playlists that our songs would fit well on like All Funked Up, Bedroom Jams, Disco Forever, Easy on Sunday, Feel Good Dinner – smaller niche playlists of under 1M followers – and sent it over. Commissions are great if you are not making much money. It has gotten much more corporate, that’s for sure. How do I license a song? Many distributors won’t touch Beatport (their reputation for payments is iffy), but Symphonic is all-in. But giving up 15% to AWAL when the only guaranteed benefits over the other distributors is their backend analytics is a hard sell. Many of their clients make beats and Beatport is a major partner for Symphonic. It has better transparency than any of the major publishing companies. Fresh Tunes is the only other company aside from Amuse who offer this zero fees and commissions structure. It’s meant for collaborators. I know what it’s like to be mindless and just make a decision without any consideration for the impact it may have on your career. Checkout our review on Distrokid vs CD Baby vs Tunecore vs Awal vs Ditto to see which one is best for you! Symphonic is actively courting buzzing indie artists, big time managers and indie labels. Now, DistroKid will say it’s the DSP’s style format and that they will block it, but that’s not true. RouteNote is one of the first distributors to reach all of the Chinese outlets in addition to India, South Korea, Japan, Taiwan, Australia (with 193 total countries). Worth noting, UnitedMasters (UM) is one of the ONLY distributors with a black CEO. Your social media following is also a factor. +Bandzoogle vs. Squarespace vs. WordPress vs. Wix vs Weebly. Since you have to be accepted into AWAL, make sure to understand exactly what they are looking for in an artist. They have been growing rapidly and regularly get syncs for their artists. Routenote Review for Music Distribution. Amuse is a reimagined record label that just raised $15.5 million in Series A financing. As Symphonic changes their focus to work closely with specific artists they are also stepping up their offering in terms of services that are more hands on when it comes to marketing, something not commonly available with other distribution companies. There are other limitations to be aware of as they have no built-in ability to license cover songs and if you want to sell pre-orders, they have to set it up for you manually – it’s not a feature automatically available. If your leaders are petty, thin-skinned, vindictive pricks (I’m not naming names here…) that ethos seeps into every aspect of the company and royally f*cks everything (and everyone) up. Like, I paid $20K for my new album. As a company built on a tech-first (digital) philosophy, Kobalt boasts that it pays twice as fast (and finds more money – sometimes 30% more) than the major publishing companies. Genre classification is import a nt for music distribution platforms (CD Baby, Distrokid, and Songtradr are some you may be familiar with). Was this good or bad? This is a distribution comparison, not a full review of these companies. In exchange, they often charge percentage fees.”. ), Hourly iTunes and Spotify trending reports, Only select artists get youtube monetization, Take 10% commission off youtube monetization, Not catering to all markets as well as the Latin markets, Do not obtain mechanical licenses for cover songs, It is our understanding that MondoTunes is changing their name to, Charging both a commission and yearly fees, YouTube (Monetization, Content ID,Promotion), Do not handle mechanical licenses for cover songs, Lack of features compared to other platforms, Promotional campaigns via Facebook, YouTube, etc, A small list of distribution outlets (only 14), Have to sign up through your social media platforms, Access to a Large Number of Digital Channels, Collaboration and Shared Workspaces to Work on Music as a Team, Ability To Get Samples From Other Producers. All things considered, we believe RouteNote is a great choice for an artist looking to keep costs down but also wants the ability to adjust if their circumstances change (ie. Anwar and I talk about being a producer/songwriter and writing thousands of songs and even how he got his publishing deal. How do you get your music on TikTok? And worst of all, complaints that Ditto rips down releases and doesn’t pay their artists. It helps music buyers by making the music licensing process much easier. Photo by Adi Goldstein on Unsplash What is the problem and why is it important? And to support artists during the nightmare that is 2020, they are offering free distribution with 0% commission through the end of 2020. Distribution in the music world hinges on a few things depending on where you’re at in your career. Some of their marketing tools are certainly worth it and a lot of them are free! I am hard pressed to believe that people are running to Reverbnation to purchase and stream music ahead of the likes of Spotify and iTunes. Their distribution is limited to only the top, most-used platforms, while the smaller, more niche platforms are overlooked. You do have to keep in mind that they are focused on Latin American markets but this may only affect you if you are really established in your career and looking to develop North American partnerships. Instead, they combined them into their own ‘bundled’ rates and paid $.003 for both. Though not as well-known as some other companies, Symphonic is a great option for artists looking to distribute their music online. Stem has been making big waves in the music industry and has garnered lots of attention as a startup business. George Holliday on 5th August 2019 Let Me Introduce Myself! There are still some features that Amuse lacks but from the sounds of it, they are willing to work closely with you as more of a partner if they feel your brand has some substance behind it. Two engineers, and two in artist relations. The difference is between the recording and the composition. You have to look at your own, personal situation and own, personal career to figure out what is best for you. UM is positioning itself as a label services company to compete with Stem, AWAL, Symphonic, The Orchard, InGrooves, and Believe. I personally respect what these distributors do for artists, and do believe that they are providing a service that requires work on their end. DistroKid is still a totally independent company. I spoke to reps at every company for this review, to get a full in-depth look at each company and for the reps to explain to me their company’s best features (that I may have missed scanning their FAQ). So this was probably a good move in the end (even though it left many artists out in the cold). No personality or life. CD Baby could not handle the volume and their customer support got WAY backed up. I’ve seen updated royalty reports and it seems they have worked out this issue for now. AWAL claims to offer Spotify playlist plugging support. It is important to know that there are two types of ownership when … So who is the best music distribution company? Routenote Review. For clarity, you need a distributor to get your music into Apple Music, Spotify, Amazon, TikTok, Instagram Stories, Deezer, Tidal, etc. They said it just wasn’t possible. On the track of keeping more money in your pocket, if you don’t want a company taking a commission, then Ditto Music is a solid choice. DistroKid was the first distributor to offer unlimited distribution for one annual fee and DK has been continuing to push innovation and challenge the industry ever since. Thus allowing you to send them your music releases and then they go to work with all the behind the scenes and administrative work to get your music up and live on the likes of Spotify, Apple and the hundreds of other stores. They offered guidance on how to get it going and even listened to the record before we released it. Songtrust is a publishing administrator. Musicians, sell your music now! This is certainly something that a lot of artists could benefit from. In the end, RouteNote is a great distribution company for getting your music out there to the world. This is all personal, yes, but this attitude seeps into every aspect of their company – including customer service. Their platform is easy to use and is set up to help you succeed as an independent musician. STARTER . The most obvious difference between DistroKid and CD Baby is their pricing model. Regardless, this is all amazing news for artists. It’s under the Universal Music Group (UMG) arm and is meant to discover emerging talent to potentially ‘upstream’ to UMG. Label-like services for high performing artists. Not a huge fan of this but they are not the only company to take on this type of commission model. Possibility of advances for top tier artists. I checked. It’s also great that they give you the ability to download your songs. They currently distribute about 2,500 releases a day (and have over 520,000 total artist accounts). The headquarters are in Dubai even though most of the employees work in Moscow. Long story short, the rate that Spotify paid CD Baby per stream, was not the rate that CD Baby paid out to their artists. Extremely simple but so smart and saves both the company and the artist a ton of back and forth trying to sort out incorrect uploads. And I’m going to get shit for it. It’s completely data driven and artists have received $250 – $300,000 in advances from this program. To me, this is a lot of risk but also something that could draw a lot of artists to the platform. Metadata errors and mislabeling/misordering of songs on the album with it taking months to get it fixed. Taking into consideration all that Horus Music has to offer, one must admit that they are a solid platform. Enter your email address below to get instant access to the tips we use to continually grow our fanbase: Would love your thoughts, please comment. Costs low for artists based in Latin America who are making headway on the artist then LANDR be..., if you think AWAL is a distributor and Songtrust is a distributor and Songtrust is a publishing collecting... Wordpress vs. Wix vs Weebly with budgetary concerns or someone who wants the convenience of their... Standard 9 % commission on your radar budget conscious you will also need to keep the lights on intend release! Hey Alexa play my band ” the Orchard as VP of client services pays when their artists a cost –! 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